Medieval English Poetry.
Reprints, inter alia, David Aers, “Imagination and Traditional Ideologies in Piers Plowman,” 47-83 (se D. Aers, Chaucer, Langland and the Creative Imagination [London: Routledge and Kegan Paul, 1980, pp. 1-37, 196-204]); Laurie A. Finke, “Truth’s Treasure: Allegory and Meaning in Piers Plowman,” 84-98 (Medieval Texts & Contemporary Readers, ed. Laurie A. Finke and Martin B. Shichtman [Ithaca and London: Cornell University Press, 1987, 51-68; cf. YLS 2 (1988): 185-86]); Steven Justice, “The Genres of Piers Plowman,” 99-118 (Viator 19 [1988]: 291-306; see YLS 4 [1990]: 198-99); Anne Middleton, “The Idea of Public Poetry in the Reign of Richard II,” 24-46 (Speculum 53 [1978]: 94-114); and Stephanie Trigg, “The Rhetoric of Excess in Winner and Waster,” 186-202 (YLS 3 [1989]: 91-108; see YLS 4 [1990]: 205).